Karen Gillmore Art

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Category Archives: It’s an artist’s life

Summer Seas

August 6, 2016by karencomics Leave a comment

From my Mermaid Music webcomic: Hello readers! I’m surfacing from the ocean of work I’ve dived into, inhaling a few deep breaths to let you know I’m OK and so is […]

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It's an artist's life, Reblogs
Happy Canada Day!

Fun with Fireworks

July 2, 2016by karencomics 4 Comments

It’s July! In Canada, July is ushered in with Canada Day. The scents of BBQ and suntan lotion waft on the breeze; the giant concert downtown reverberates off the houses […]

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It's an artist's life, Photography

Finding Forgotten Art

June 20, 2016by karencomics Leave a comment

Over the last couple of weeks I’ve been cleaning out my “away” studio, preparing to leave it at the end of July, retreating into my home studio to focus fully […]

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Collage, It's an artist's life, Studio

After the Whirlwind

May 29, 2016by karencomics 6 Comments

Sometimes it seems to me that like life is a big, irresistible wind: a wall of atmosphere that picks up this puny human and sweeps her willy-nilly through the sky. […]

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comics conventions, It's an artist's life

Art Zombie!

March 8, 2016by karencomics 12 Comments

It’s been an intense month-and-a-bit here in my studio. When last I wrote, I had embarked on a daily challenge to make art every day. Now, it’s not an unusual […]

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art challenge, Comics, It's an artist's life

Monotype Madness!

January 12, 2016by karencomics Leave a comment

I just got back from a lovely evening with an artist group that I had not met before! The Juan de Fuca Arts and Crafts Guild Painters meet once a month […]

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It's an artist's life, Printmaking

A Mazing Time

December 31, 2015by karencomics 15 Comments

Another year is on the wane, winking out like the stars in the morning. 2015, as with all years, has had its own distinctive personality, with quirks and vices and virtues. […]

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It's an artist's life

Studio Open House

December 6, 2015by karencomics 8 Comments

Things have been hopping at Xchanges, the artists’ co-op I belong to! Once a year, the gallery and studio organization has a members’ exhibition and studio open house. The preparations […]

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It's an artist's life, Studio

I Have a Shop!

November 16, 2015by karencomics 5 Comments

… Or, er, well, it’s a start, anyway. I am signed up with Redbubble and have uploaded one image so far, so I wanted to crow about it. I just […]

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It's an artist's life

Comics, Art, and Conventions

October 18, 2015by karencomics 8 Comments

October has been a month for conventions for me and my friend and fellow comics-creator Kay — two in one month, which is a lot for me. Showing my work at conventions, […]

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comics conventions, It's an artist's life

The Studio Shuffle

June 1, 2015by karencomics 3 Comments

Once again, I’m pulling up stakes and moving my studio — but not too far this time, just across the room to a slightly larger space! I share a studio […]

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It's an artist's life, Studio

A VanCAF Adventure!

May 25, 2015by karencomics 2 Comments

I’m not sure you can really call something an adventure if everything goes like clockwork, but it was a great way to kick off the new book! After a bit of […]

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comics conventions, It's an artist's life

An Enchanted Sunday

May 13, 2015by karencomics 6 Comments

I spent last Sunday at the Enchanted Forest Festival, an event sponsored by the Coast Collective. A couple of posts ago, I shared some pictures of my advance trip out […]

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It's an artist's life

Magic at the Lagoon

April 21, 2015by karencomics 1 Comment

Two weeks have flashed by since I last wrote here — the comics festival has come and gone in a flurry of activity, after which I certainly needed some recovery […]

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It's an artist's life

Camosun Comic Arts Festival!

March 20, 2015by karencomics 2 Comments

Yesterday, someone asked me why I had gotten into comics, and I found myself spinning the long tale of my somewhat winding journey. Today, while inviting everyone on my Facebook […]

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Comics, comics conventions, It's an artist's life

Thickening the (Webcomic) Plot

March 9, 2015by karencomics Leave a comment

I’ve just posted page 10 of Mermaid Music, my webcomic-that-will-someday-be-a-graphic-novel. I’m starting to feel in the swing of things now, and despite a very busy (hectic, frantic, frenetic, frenzied, feverish, […]

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Comics, It's an artist's life

Just Imagine!

January 2, 2015by karencomics 2 Comments

The creative resolutions continue to propagate. In my last post, I mentioned that I would like to do more writing, as opposed to the joint pictures and words I use […]

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It's an artist's life

Creative Resolve

December 31, 2014by karencomics 8 Comments

Yesterday I had a look back at the last year, and promised (in a moment of madness, no doubt) to post about my resolutions for the coming year. Yikes! What […]

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It's an artist's life

Crystal Ball, Retrospective

December 30, 2014by karencomics 3 Comments

The year is waning, about to wink out like a dying star, soon to be replaced by a new bright young one. As many people do, I go back and […]

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It's an artist's life

Open Studio Day

December 6, 2014by karencomics 2 Comments

The best-laid schemes o’ mice an’ men Gang aft agley —Robert Burns Opening my studio to the public is always a tricky business for me. I have two studios; the […]

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It's an artist's life

Reflecting, Regrouping, Rehearsing

September 18, 2014by karencomics 2 Comments

There are times in an artist’s life where one has to stop running headlong into the next project, and stop and look around to get one’s bearings. I seem to be […]

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It's an artist's life

The Wet Coast

September 8, 2014by karencomics 2 Comments

I’m continuing the posting of my comic/sketch journal I kept while I was at the ocean last month. It’s only in pen and ink at this point, and I intend […]

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Comics, It's an artist's life

A Camping Journal

September 6, 2014by karencomics 3 Comments

Every summer I go with a group of friends to the northern portion of Pacific Rim National Park, a vast stretch of sandy beaches on the west coast of Vancouver […]

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Comics, It's an artist's life

Back in the Saddle Again!

September 5, 2014by karencomics Leave a comment

It’s funny how time can stretch out and become nebulous after a lot of intense activity. When I finally don’t have a million things to do in a day, somehow […]

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comics conventions, It's an artist's life

Off to the Yukon!

August 7, 2014by karencomics 4 Comments

I’m off on another convention adventure, this time to Whitehorse, Yukon, for a brand new convention called Yukomicon. I won’t be able to post while I’m there, but I’ll take […]

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It's an artist's life

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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