Karen Gillmore Art

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Category Archives: Cats

Snow Day

December 23, 2022by karencomics 6 Comments

We’ve been snowed in on the southern tip of Vancouver Island, Canada, for most of the week. It’s been colder than I can remember it being in 30 years of […]

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Cats, Colouring Pages, Quadra Cats, Short Stories, Storytelling, writing

Art in the Quarantine Age

January 1, 2021by karencomics 3 Comments

What a year it’s been! Like everyone else, I’ve seen a lot more of my house this past year than usual. Although I’m usually home quite a lot, since that’s […]

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animal art, Cats, children's books, comics conventions, Digital colouring, Digital Drawing, Illustration, Inspiration, It's an artist's life, Procreate, Quadra Cats, Studio, Watercolour, zooly

Galaxy Day

December 21, 2020by karencomics 2 Comments

Happy Winter Solstice, to those of you in the Northern Hemisphere! Soon the all-too-short days will be getting longer, and before you know it, green things will be popping up […]

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Cats, Colouring Pages, Quadra Cats, Uncategorized

The Kittens of Doom!

May 4, 2020by karencomics 3 Comments

I’ve been doing a webcomic for several years now called “The Quadra Cats“, about some Earth Cats that meet up with an Alien Cat and accidentally find themselves as impromptu […]

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Cats, Comics, Digital colouring, Digital Drawing, Quadra Cats

I Blame the Kittens

March 14, 2019by karencomics 8 Comments

Oh, hi! It’s been a while. A really long while. I’m kind of staring at the screen wondering what to say; wondering if anyone’s still out there after all this […]

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art challenge, Cats, Comics, Drawing-a-Day, It's an artist's life, Watercolour pencils (aquarelles)

TCAF Bound!

April 23, 2018by karencomics 3 Comments

A few days ago, I got an email that set my heart to racing and my feet to jumping up and down in a happy dance — I’ve been accepted […]

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Book Covers, Cats, comics conventions, Quadra Cats

Hourly Comic Day — What I Learned

February 3, 2018by karencomics 3 Comments

Hourly Comic Day is an informal, annual event started in 2009 by John Campbell. It takes place on February 1. Here’s a really good post about it by Sarah McIntyre. […]

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art challenge, Cats, Quadra Cats

The Cats of Yule

December 23, 2017by karencomics 1 Comment

That has kind of a nice ring, eh? “The Cats of Yule” — I think it should be a song, or maybe the name for an Irish-style fiddle tune! I’ve […]

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Cats, Watercolour

A Quadra Cats Hallowe’en

October 31, 2017by karencomics Leave a comment

I’ve been so busy with Inktober, and it’s all been Quadra Cats — inking the comic pages and doing the little drawings of interplanetary felines. So I haven’t had time […]

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Cats, Quadra Cats

Inktober 2017: Week 1

October 8, 2017by karencomics 1 Comment

I’ve been thinking about seasons and cycles lately; not only the natural ones, but personal and cultural ones. I have noticed that one of my sets of seasons consists of […]

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art challenge, Cats, Inktober

The Feline Federation

September 11, 2017by karencomics Leave a comment

Did I mention that the Quadra Cats have returned from their summer vacation, too? No I did not! Here’s the cover to book 3, The Feline Federation, now up on […]

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Book Covers, Cats, Quadra Cats

Quadra Cats Colouring Page!

August 12, 2017by karencomics Leave a comment

I’m packing for the beach — artists need vacations too, but for some reason we always seem to pack our art supplies — and all week I’ve been ticking off […]

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Cats, Colouring Pages, Cool Stuff for Artists

Sneaky’s Interview of Spam, Purranormal Cat Detective

August 2, 2017by karencomics Leave a comment

Originally posted on Sneaky The Library Cat's Blog:
Have I got a treat for you, and it’s better than catnip. I have a purranormal cat detective here to cat…

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Book Covers, Cats, Spam & the Sasquatch, Uncategorized

Painting the Caracal

August 1, 2017by karencomics Leave a comment

I can’t believe the Zooly Art Challenge is over! A month of drawing and painting animals was great fun, despite missing out on some due to my adventures with my […]

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art challenge, Cats, Technique of the Week, tutorials, Watercolour, zooly

Books, Postcards, and Comics Festivals

April 8, 2017by karencomics Leave a comment

Today I went and picked up 100 shiny new copies of “Spaced Out”, the new Quadra Cats book! They look fabulous — 24 nice thick pages with a semi-gloss cover […]

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Cats, Comics

Spaced Out — The Quadra Cats!

April 3, 2017by karencomics 1 Comment

It’s been a while since I’ve posted anything here, and that is because I’ve been working away in my Art Cave to bring a new book into being! The Quadra […]

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Book Covers, Cats, Comics

A Spooky Christmas!

December 21, 2016by karencomics 4 Comments

Christmas-and-spooks seems to be A Thing, and it’s not new — of course Dickens’ great classic, A Christmas Carol comes quickly to mind, and modern tales such as “Nightmare Before Christmas” […]

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Book Covers, Cats, Technique of the Week, tutorials

Takeout Planet!

May 11, 2016by karencomics 1 Comment

I’ve been working like mad on the new book of the Quadra Cats stories. It’s based on the single-page episodes, but with much, much more added to link them together into […]

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Cats, Comics, Uncategorized

Quadra Cats Book!

April 29, 2016by karencomics 7 Comments

I’ve been working on a mini-comicbook of the Quadra Cats cartoons! I’ve got the script done, which will tie together most of the existing cartoons into a continuous story. Because they […]

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Cats, Comics, Uncategorized

Mistaken Identity — Quadra Cats

December 15, 2015by karencomics 2 Comments

It’s time for another Quadra Cats cartoon. I do these quarterly for the local neighbourhood newspaper, the Hillside-Quadra Community News. These little one-pagers are a lot of fun, and I’m thinking […]

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Cats, Comics, Uncategorized

Black Cat Evolution

October 24, 2015by karencomics 3 Comments

I’m on a roll with these black cats that I’m doing for Inktober. I’m really enjoying the challenge of trying to capture the sheen of their fur, and the intense […]

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Cats, Ink, Inktober

Cats & Pumpkins

October 23, 2015by karencomics 5 Comments

Here’s the new Halloween cover photo for my Facebook and twitter pages — thought I’d continue with the black cat theme I’ve been doing for Inktober. I’ve been languishing lately over […]

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Cats, Inktober

Inktober Black Cats

October 20, 2015by karencomics 9 Comments

More Inktober goodies — this time I decided to tackle the challenge of black cats. Shiny black cats. Black cats are notorious for being hard to photograph, and drawing them […]

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Cats, Ink, Inktober

Of Cats, Gardens, and Diets

October 5, 2015by karencomics 4 Comments

It’s been a while since I posted anything at all, and what better to jump back in with than a Quadra Cats cartoon? I’ll make a longer post soon and […]

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Cats, Ink

Quadra Cats Teaser

November 12, 2014by karencomics 2 Comments

Remember the Quadra Cats, a strip I did a couple of months ago for my local neighbourhood newspaper? Well, I just got the first page done of what looks to […]

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Cats, Comics

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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