Karen Gillmore Art

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Category Archives: Drawing-a-Day

The Rest of the 12 Days

January 14, 2021by karencomics 2 Comments

Just before New Year’s, I posted about the 12-day challenge I was doing in the Zooly Weekly Art Challenge group, where we normally have one animal prompt a week. This […]

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animal art, art challenge, coloured pencils, Drawing-a-Day, sketchbook, Watercolour, zooly

The 12 Days of… Zooly?

December 29, 2020by karencomics 2 Comments

There is something to be said for the old-fashioned observance of the 12 Days of Christmas, or Twelvetide. It has a fascinating history, which I won’t go into here, because […]

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animal art, art challenge, Drawing-a-Day, sketchbook, Song, Watercolour

Sketchbook Roundup 2: Hoofing It

April 23, 2020by karencomics Leave a comment

Today is the second in a series of peeks into my sketchbooks. In honour of Earth Week, I’m posting some of my animal drawings that I’ve done over the last […]

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animal art, art challenge, Drawing-a-Day, Illustration

I Blame the Kittens

March 14, 2019by karencomics 8 Comments

Oh, hi! It’s been a while. A really long while. I’m kind of staring at the screen wondering what to say; wondering if anyone’s still out there after all this […]

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art challenge, Cats, Comics, Drawing-a-Day, It's an artist's life, Watercolour pencils (aquarelles)

Meeting the Art Challenge

June 30, 2018by karencomics 4 Comments

The word “challenge” conjures up a lot of different connotations: a dare, a provocation, an opposition, a task, a problem. An Art Challenge contains many of these; it’s a kind […]

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art challenge, Drawing-a-Day, Inktober, It's an artist's life, zooly

Going Mobile

May 6, 2018by karencomics 2 Comments

Since I’m off to TCAF this week I decided it would be fun to blog as I go, even though I’m not taking my computer – I really want to […]

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Comics, comics conventions, Drawing-a-Day, It's an artist's life

Brown Paper Critters

August 9, 2017by karencomics 2 Comments

During the last few days of Zooly, I ran across a stack of handmade watercolour paper that I had put aside years ago and forgotten about. I originally bought it […]

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art challenge, Drawing-a-Day, Watercolour, zooly

Hey, Let’s Draw Animals!

July 25, 2017by karencomics 5 Comments

There is one week left of the Zooly Art Challenge — if you still want to try drawing/painting/sculpting/whatever some critters, there’s still time to jump in! And good news — […]

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art challenge, Drawing-a-Day, Watercolour, zooly

Zooly Comics and Drawings

July 8, 2017by karencomics 3 Comments

The Zooly Art Challenge has got me back in the studio, though my eyesight challenges are still, um, challenging. This week I’ll be getting my other new eye, and hopefully […]

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art challenge, Drawing-a-Day, zooly

Drawing the Snow Leopard

July 2, 2017by karencomics 6 Comments

My first drawing of the Zooly Art Challenge is done. Getting started on a new monthly challenge is always a bit fraught for me: so many decisions! I feel that […]

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art challenge, Drawing-a-Day, zooly

Inktober: Limitations and Freedom!

October 15, 2016by karencomics 1 Comment

Inktober is rolling on, and my little Moleskine book is filling out nicely! I feel like I’m hitting my stride with these, after being a bit rusty with the one-page […]

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art challenge, Drawing-a-Day, Inktober

Dinosaur Sibling Rivalries

October 10, 2016by karencomics Leave a comment

Dinosaurs! My first ever illustrated book was created when I was in Grade 3 (I think). I loved dinosaurs. I checked out every book on dinosaurs in the school library […]

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art challenge, Drawing-a-Day, Inktober

Galapagos Mistaken Identity

October 9, 2016by karencomics Leave a comment

One place I’ve always wanted to go is to the Galapagos. Since reading articles in the National Geographic as a child, I’ve longed to see the islands that inspired Mr. […]

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art challenge, Drawing-a-Day, Inktober

Ask an Elephant!

October 7, 2016by karencomics Leave a comment

I’ve been having an ongoing conversation with a lot of my friends lately over the lost art of map-reading. Seems all this GPS usage is eroding the ability to read […]

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art challenge, Drawing-a-Day, Inktober, Uncategorized

They call it… Camouflage

October 6, 2016by karencomics 2 Comments

Why do animals hide? Lots of reasons! When I saw today’s Inktober prompt word,”hidden”, of course I thought of all the ways animals have as built-in blending strategies. Colours and […]

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art challenge, Drawing-a-Day, Inktober

False Felines

October 5, 2016by karencomics 2 Comments

Inktober, Day 5. I’ve been digitally filing illustrations and doing last little tweaks to the book art all day in Photoshop. Getting to do a wee quick drawing was a […]

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art challenge, Drawing-a-Day, Inktober

Whale Candy

October 4, 2016by karencomics Leave a comment

Inktober is cooking along nicely on day 4. And good news— I’m winding up the humongous book illustration project that has had me cooped up in the art cave for […]

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art challenge, Drawing-a-Day, Inktober

Opus Daily Practice Challenge

February 1, 2016by karencomics 5 Comments

Iris the Art Muse was groaning and face-palming. She couldn’t believe I was contemplating doing another art challenge. I told her, “It’s OK—see, I’m just going to do stuff that we […]

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Comics, Drawing-a-Day

Tabby Tallulah in Colour

August 3, 2014by karencomics 12 Comments

Summer Art Challenge Day 42 — making art every day Yesterday I posted Tabby in ink; today she has dressed up in colour. She’s one of those rare female orange tabbies, […]

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Character Design, Drawing-a-Day

Miss Tabby Tallulah

August 2, 2014by karencomics 4 Comments

Summer Art Challenge Day 41 Here’s a new character, Miss Tabby Tallulah. I wasn’t sure what colours to make her or her clothes, so I’m going to wait until tomorrow to […]

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Character Design, Drawing-a-Day

Top Hat Dog

August 1, 2014by karencomics 2 Comments

Summer Art Challenge Day 39-40 — making art (of some kind) every day! Meet Mr. Phineas Wintergreen-Smythe III! He’s based on one of the sketch cards I did last week, and […]

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Character Design, Drawing-a-Day

Dragon, Muse, Cat

July 30, 2014by karencomics Leave a comment

Summer Art Challenge Day 38 — making art every day! This evening was the weekly get together for the comic jam gang. Only three of us were there, but we had […]

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Drawing-a-Day, Illustration

A Garden Muse Epiphany

July 25, 2014by karencomics Leave a comment

Summer Art Challenge Days 32-33 — making art every day! The muses have been very busy the last couple of days, as have I. Yesterday Iris came out in the garden […]

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Comics, Drawing-a-Day

More Silly Animal Characters

July 23, 2014by karencomics 3 Comments

Summer Art Challenge Days 30-31 — making art (of some kind) every day! Right away, I must confess; I did not draw yesterday, nor did I paint, sculpt, collage, or otherwise make […]

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Drawing-a-Day

As the Muse Turns

July 21, 2014by karencomics 7 Comments

Summer Art Challenge Days 23-29 — making art (of some kind) every day! The impulse to create is a funny thing. It doesn’t confine itself to neat boundaries of expression. A […]

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Comics, Drawing-a-Day

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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