Karen Gillmore Art

Comics & Illustration

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Category Archives: Illustration

Art in the Quarantine Age

January 1, 2021by karencomics 3 Comments

What a year it’s been! Like everyone else, I’ve seen a lot more of my house this past year than usual. Although I’m usually home quite a lot, since that’s […]

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animal art, Cats, children's books, comics conventions, Digital colouring, Digital Drawing, Illustration, Inspiration, It's an artist's life, Procreate, Quadra Cats, Studio, Watercolour, zooly

Exploring the Eelgrass Meadow

December 23, 2020by karencomics 7 Comments

Look what arrived yesterday! A whole box of the latest book I illustrated in partnership with author Gloria Snively, published by Heritage House! I’m so excited — the printing is […]

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animal art, Book Covers, children's books, Illustration

Learning a New App: Procreate

April 29, 2020by karencomics 3 Comments

This post was supposed to happen yesterday, but it didn’t, due to my discovery that I needed to do a bit more organizing of the images. Also I just plain […]

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animal art, art challenge, Digital colouring, Digital Drawing, Illustration, zooly

Sketchbook Roundup 6: The Rest of the Gang

April 27, 2020by karencomics Leave a comment

I’m coming to the end of the hand-drawn sketchbook creatures I want to share as part of this series; tomorrow I’m going to end the series with some digital drawings […]

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animal art, coloured pencils, Illustration, Ink, Watercolour, Watercolour pencils (aquarelles), zooly

Sketchbook Roundup 4: Goofy Critters

April 25, 2020by karencomics Leave a comment

It’s day four of my sketchbook animal series! Sometimes drawing accurate depictions of creatures gets to be too much for me (I am a cartoonist, after all) and I just […]

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animal art, art challenge, Comics, Illustration

Sketchbook Roundup 2: Hoofing It

April 23, 2020by karencomics Leave a comment

Today is the second in a series of peeks into my sketchbooks. In honour of Earth Week, I’m posting some of my animal drawings that I’ve done over the last […]

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animal art, art challenge, Drawing-a-Day, Illustration

Sketchbook Roundup 1: Animal Kingdom

April 22, 2020by karencomics Leave a comment

It’s Earth Day, and I’m stuck inside, as so many of us are these days… Hi! It’s been a while. I’m weathering this all OK, since as an artist, I’m […]

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animal art, art challenge, Illustration, zooly

A Midsummer Night’s Comic

June 21, 2019by karencomics 2 Comments

Happy Midsummer, folk of the northern hemisphere (and happy Winter Solstice, folk of the southern hemisphere)! Here’s an eight page comic I completed recently, which will soon be published in […]

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Celtic, Comics, Illustration, Ink, Markers, Song

Seashore Books!

July 26, 2018by karencomics 2 Comments

Big news — the children’s books I’ve been working on for the last few years are out! Written by Gloria Snively, published by Heritage House Publishing, illustrated by me, these […]

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Book Covers, Illustration

The April Fool’s Easter Bundragon

April 1, 2018by karencomics 3 Comments

How often do April Fool’s Day and Easter fall on the same day? I couldn’t resist the urge to do this funny li’l guy, once he’d popped into my head! […]

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coloured pencils, gouache, Illustration

A Mermaid Sprite

November 3, 2016by karencomics 1 Comment

I had the great pleasure of doing a watercolour demo yesterday for the students of the Comics and Graphic Novels program at Camosun College, the same program I graduated from […]

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Illustration, Watercolour

Colored Pencil Magazine Article!

May 31, 2016by karencomics 2 Comments

Hey, art-process fans! Want to know how I made this comic? I just got word that the article I submitted to Colored Pencil Magazine is now in the June issue, […]

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coloured pencils, Comics, Illustration, Technique

Artsy Chocolates

November 15, 2015by karencomics 3 Comments

I’ve been working on a poster for the artist-run centre I belong to, Xchanges Artists’ Gallery and Studios. and as part of it I made this box of chocolates with symbols […]

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Digital Drawing, Illustration

Seashell Archives Book Cover

November 3, 2015by karencomics 4 Comments

I’ve just completed my umpteenth book cover (actually, I think this makes 21 — you can see the rest here) for Nebula-Award winning author Elizabeth Ann Scarborough! It’s for her […]

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Book Covers, Illustration

Maps and Dragons!

March 5, 2015by karencomics 6 Comments

When I was a kid, I used to make maps. Treasure maps, fantasy maps, maps of stories I was reading. My mom liberally provided me with brown paper bags for […]

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Book Covers, Illustration

Wolf-Girl

December 3, 2014by karencomics 8 Comments

Here’s the painting I’m showing for the annual members’ show at my studio/gallery cooperative, Xchanges. I don’t want to part with it, so I’ve listed it as NFS (not for sale), […]

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Book Covers, coloured pencils, Illustration

“The Mermaid” Cover, part 2

August 6, 2014by karencomics 4 Comments

The cover that I posted the beginnings of two days ago is finished! This will be my entry in the Co-Mix exhibition here in Victoria at the Martin Batchelor Gallery. […]

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Comics, Illustration

Comic Cover: “The Mermaid”

August 4, 2014by karencomics 5 Comments

It’s great when an art project can do double duty! I needed a cover for my story The Mermaid, as well as a “cover” for an art show featuring made-up comic […]

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Comics, Illustration

Dragon, Muse, Cat

July 30, 2014by karencomics Leave a comment

Summer Art Challenge Day 38 — making art every day! This evening was the weekly get together for the comic jam gang. Only three of us were there, but we had […]

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Drawing-a-Day, Illustration

Reviving Cleopatra

April 11, 2014by karencomics Leave a comment

I realized that I’ve been neglecting the illustration part of my blog descriptor with all this excitement over comics. So here’s a couple of the illustrations I did for Elizabeth […]

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Book Covers, Illustration

Reverse Illustration

March 19, 2014by karencomics 26 Comments

For many years, the drawings and paintings I did were like illustrations for stories — but the stories didn’t exist yet. Many people asked me if I illustrated children’s books, […]

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Illustration, Storytelling

Who is Iris?

March 16, 2014by karencomics 10 Comments

Iris and I are seriously thinking about putting together a little min-comic for the comic conventions coming up. We decided she needed an introduction. I’ve known Iris ever since I […]

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Illustration, Ink, It's an artist's life

A Feline Swashbuckler

February 28, 2014by karencomics 5 Comments

Drawing-of-the-Day 17 Here’s another character from my doodles of last Sunday night, turned into a finished painting. I tried an experiment that was suggested to me by my mentor today […]

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Character Design, Illustration, Ink, Pen and Ink, Watercolour

Drawing-a-Day — Fortnight!

February 25, 2014by karencomics 4 Comments

Today’s sketch marks two whole weeks I have been doing this. Sometimes I’ve only gotten a sketch in before midnight by the skin of my teeth, but I’ve done it, […]

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Comics, Drawing-a-Day, Illustration

Art Supplies for Control Freaks — Coloured Pencils

February 4, 2014by karencomics Leave a comment

Although I adore watercolours, and enjoy the give-and-take partnership between me and my medium when I’m using them, sometimes I want a medium that I can order around. That I […]

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coloured pencils, Illustration

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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