Karen Gillmore Art

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Category Archives: coloured pencils

The Rest of the 12 Days

January 14, 2021by karencomics 2 Comments

Just before New Year’s, I posted about the 12-day challenge I was doing in the Zooly Weekly Art Challenge group, where we normally have one animal prompt a week. This […]

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animal art, art challenge, coloured pencils, Drawing-a-Day, sketchbook, Watercolour, zooly

Sketchbook Roundup 6: The Rest of the Gang

April 27, 2020by karencomics Leave a comment

I’m coming to the end of the hand-drawn sketchbook creatures I want to share as part of this series; tomorrow I’m going to end the series with some digital drawings […]

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animal art, coloured pencils, Illustration, Ink, Watercolour, Watercolour pencils (aquarelles), zooly

Sketchbook Roundup 5: Sketch Cards

April 26, 2020by karencomics Leave a comment

It’s Day five of my sketchbook series, but today is not going to be about drawings from my sketchbooks, but sketch cards. Sketch cards are tiny cards, often (but not […]

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animal art, art challenge, coloured pencils, Watercolour pencils (aquarelles), zooly

Sketchbook Roundup 3: They Come in All Sizes

April 24, 2020by karencomics 2 Comments

This is Day Three of my Earth Week special series, of animals I’ve drawn in the past year in my sketchbook (and occasionally on random pieces of paper). Today’s post […]

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animal art, art challenge, coloured pencils, Watercolour pencils (aquarelles)

The April Fool’s Easter Bundragon

April 1, 2018by karencomics 3 Comments

How often do April Fool’s Day and Easter fall on the same day? I couldn’t resist the urge to do this funny li’l guy, once he’d popped into my head! […]

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coloured pencils, gouache, Illustration

Drawing a Crow in Coloured Pencil

March 13, 2018by karencomics 10 Comments

Seems like crows are everywhere these days. For us urban dwellers, they’re one of the few representatives of wildlife we see on a regular basis. Social media is full of […]

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coloured pencils, Technique of the Week, tutorials, Uncategorized

Colored Pencil Magazine Article!

May 31, 2016by karencomics 2 Comments

Hey, art-process fans! Want to know how I made this comic? I just got word that the article I submitted to Colored Pencil Magazine is now in the June issue, […]

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coloured pencils, Comics, Illustration, Technique

Wolf-Girl

December 3, 2014by karencomics 8 Comments

Here’s the painting I’m showing for the annual members’ show at my studio/gallery cooperative, Xchanges. I don’t want to part with it, so I’ve listed it as NFS (not for sale), […]

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Book Covers, coloured pencils, Illustration

Calico Cat

September 21, 2014by karencomics 2 Comments

As I mentioned in my last post, I’m going to be putting up some older work just to keep up the blogging habit while I’m away from the drawing board […]

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Cats, coloured pencils

Sheriff Bill in Colour

March 24, 2014by karencomics 8 Comments

Just a small post today — a while back I drew a little character study of Sheriff Bill Platypus, suggested by my comic jam buddies when I asked what to […]

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Character Design, coloured pencils, Ink, Watercolour pencils (aquarelles)

A Golden (Retriever) Opportunity

March 6, 2014by karencomics 12 Comments

Drawing-a-Day 23 I haven’t had a dog friend of my own for many years (my cat Mak likes being an only child) but every now and then I encounter one […]

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coloured pencils, Drawing-a-Day

Technique-of-the-Week — Coloured Pencil Flower

March 1, 2014by karencomics 9 Comments

Also, this is Drawing-a-Day number 18! A double-duty drawing! A few weeks ago, I had a request from Ilex of Midwestern Plants (check out her wonderful blog here!) for a tutorial […]

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coloured pencils, Drawing-a-Day, Technique, Technique of the Week

Drawing-a-Day 6 — a portrait

February 17, 2014by karencomics 2 Comments

My drawing a day challenge is going along swimmingly, though I’m starting to obsess about it a bit. Tonight I went to life drawing at the studio co-op I belong […]

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coloured pencils, Drawing-a-Day

Art Supplies for Control Freaks — Coloured Pencils

February 4, 2014by karencomics Leave a comment

Although I adore watercolours, and enjoy the give-and-take partnership between me and my medium when I’m using them, sometimes I want a medium that I can order around. That I […]

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coloured pencils, Illustration

Embellishing and Colouring Celtic Design

January 24, 2014by karencomics 6 Comments

Today is the third in a series about my experiences in making  Celtic art. I have several designs that i have both the pen and ink original versions of as […]

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Celtic, coloured pencils, Design, Illustration, Pen and Ink, Watercolour

Evolution of a Design — Celtic Seahorses

January 22, 2014by karencomics 12 Comments

Celtic art has always fascinated me since I first saw it, as has Celtic music. Maybe it’s in the blood; I have a lot of ancestors from Ireland and Scotland. […]

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Celtic, coloured pencils, Design, Illustration, Linocut, Pen and Ink, Watercolour

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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