Meeting the Sasquatch

May 2, 2014 · by karencomics · in Comics, Spam & the Sasquatch. ·

The Sasquatch of Spam and the Sasquatch finally makes her appearance! And right away there is trouble…

Spam spies the Sasquatch!

The Sasquatch spies Spam…

… and Rocky the vampire cat is on the scene!

Not long ago I posted the ink-only page with the first two of these panels; if you’d like to go look at them and compare, they’re here.

(In case you’re just tuning in: Spam and the Sasquatch is an upcoming graphic novel written by Elizabeth Ann Scarborough with visual storytelling by me! I’m in the middle of an epic paint-a-thon, so my posts until I finish will all be sneak peeks at what I’ve done during the day.)

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Tags: cat, comics, drawing, Elizabeth Ann Scarborough, graphic novel, illustration, Sasquatch, vampire cat, watercolour

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← Rocky the Vampire Cat

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One response to “Meeting the Sasquatch”

spamslitterature May 2, 2014 at 11:42 pm · · Reply →

That looks just like her! Wonderful, Karen!

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Celtic Art

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Wolf and the Stones (pen & ink)

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Elemental Steed: Water (acrylic)

Elemental Steed: Fire (acrylic)

Elemental Steed: Earth (acrylic)

Elemental Manifestations: Water (pen & ink, watercolour, collage)

Elemental Manifestations: Fire (pen & ink, watercolour, collage)

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Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

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“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.

“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.

“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.

“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.

“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.

“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.

“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.

Woman in Blue — indigo and white Prismacolor pencils on toned paper

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The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose

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“Sunshine” — funny how cats always find the warm spot in the house!

“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.

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“One Perfect Rose” — an anniversary card I made for my husband some years ago.

“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.

“Rainbow Pebbles” — many of the techniques described here are used in this painting

“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.

“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.

pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.

Wildly blooming

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“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.

“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.

“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.

Cuban Tree

The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.

This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.

This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.

Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.