Karen Gillmore Art

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Monthly Archives: April 2014

A Handsome Villain

April 30, 2014by karencomics 1 Comment

Tonight’s sneak peek into Spam and the Sasquatch has Spam encountering Sven, the good-looking, ladies-man (or so he thinks) villain. I’m not going to tell you why he’s the villain, […]

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Comics

A Deer Encounter

April 29, 2014by karencomics Leave a comment

Tonight’s sneak peek into my Spam & the Sasquatch graphic novel painting marathon involves Spam and Renfrew, uh, running into the deer. The deer are the biggest gossips in town; they […]

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Comics

Enter, Renfrew the Raccoon!

April 28, 2014by karencomics 4 Comments

I got to the part in the graphic novel today where Spam-the-Cat meets Renfrew-the-Raccoon. I’ve been having fun with forest colours today, and textures. I’m working very hard, so my […]

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Comics

An Expressive Cat

April 27, 2014by karencomics 7 Comments

Just a quick post tonight — It’s been a long day of watercolour painting! I thought it might be interesting to show some different expressions of Spam the Cat from […]

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Cats, Comics

Technique-of-the-Week — Comic page in watercolour

April 26, 2014by karencomics 4 Comments

Today I painted the first double-page spread of Spam and the Sasquatch, and took pictures as I did each stage! So follow along if you like, and help me celebrate […]

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Comics, Studio, Technique, Technique of the Week

Inspiration Recharging Break

April 25, 2014by karencomics Leave a comment

Today I made no art. None at all. No drawing, no inking, no painting, no writing, no music. Instead I took a day to “inspire”, in the sense of the […]

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It's an artist's life

The Zen of Inking Motorcycles

April 24, 2014by karencomics 7 Comments

I have finished inking Spam and the Sasquatch! The motorcycle that had me singing the blues yesterday has been drawn properly, more or less, and inked. I present that panel […]

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Comics

Stalled by the Motorcycle

April 23, 2014by karencomics 4 Comments

I’m one page away from finishing the inking part of the graphic novel. One mere page. Merely one page. But my weakness is technology, and I have to draw a […]

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Comics

The Little Artist that Could

April 22, 2014by karencomics 3 Comments

I ink I can, I ink I can, I ink I can… I’m almost finished with the inks for Spam and the Sasquatch, and so my mantra. Serious eyestrain happening […]

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Comics

The Muse’s Calories

April 21, 2014by karencomics 2 Comments

What you see before you, my friend, is the result of a lifetime of chocolate. ― Katharine Hepburn A sequel to yesterday’s muse comic! For more muse comics, go to the […]

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Comics

Chocolate and the Muse

April 20, 2014by karencomics Leave a comment

All you need is love. But a little chocolate now and then doesn’t hurt.― Charles M. Schulz    

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Comics

Technique-of-the-Week: Texturing Acrylic Paintings

April 19, 2014by karencomics 2 Comments

This is my 100th post! Yay! And it just happens to fall on Technique Saturday: Coincidence? I think so… Here’s a fun way to paint if you are into acrylics […]

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Acrylics, Technique, Technique of the Week

A Theory of Muses

April 18, 2014by karencomics 6 Comments

I’ve been making art pretty much every day, intensively, since the beginning of the year. Iris the Art Muse (see her page in the menu bar if you haven’t met […]

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It's an artist's life

A Comparison of Markers for Artists

April 17, 2014by karencomics 6 Comments

Because I’ve been trying out the Prismacolor markers on my Art Muse series, and just bought a bunch of Pitt brush markers for the comic page I featured yesterday (I […]

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Cool Stuff for Artists

A Mighty Conflagration

April 16, 2014by karencomics 7 Comments

Days like this keep me humble. I put aside the inking of the story I’ve been working on in order to try painting the first page, which I had put […]

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Comics

Sneak Peek 3!

April 15, 2014by karencomics Leave a comment

Spam, his friends, and the Sasquatch are seeing more of each other than any of them expected. In today’s isolated and therefore hopefully not spoiler panels, the Sasquatch looms large […]

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Comics

Sneak Peek 2 — In Which Spam Meets the Sasquatch

April 14, 2014by karencomics Leave a comment

Yesterday I started a series of postings of the work I’m currently doing, which is inking Spam and the Sasquatch. I’ve finally gotten to the part with the Sasquatch, and […]

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Comics, Ink

Spam and the Sasquatch — Sneak preview!

April 13, 2014by karencomics Leave a comment

As those of you know who’ve been reading this blog regularly, I’m working on a graphic novel called Spam and the Sasquatch, written specifically for this project by Elizabeth Ann […]

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Comics

Technique-of-the-Week — Demystifying Watercolour Paints

April 12, 2014by karencomics Leave a comment

Every Saturday I post about some aspect of art technique. This week’s technique is more of a pre-technique. I’m a strong believer in knowing your materials, in order to get […]

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Technique, Technique of the Week, Watercolour

Reviving Cleopatra

April 11, 2014by karencomics Leave a comment

I realized that I’ve been neglecting the illustration part of my blog descriptor with all this excitement over comics. So here’s a couple of the illustrations I did for Elizabeth […]

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Book Covers, Illustration

New — Colouring Thursday!

April 10, 2014by karencomics 18 Comments

A few days ago, I got a message from a lady in New Zealand who had found my line drawing version of Eostre, Saxon goddess of the dawn, and downloaded […]

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Uncategorized

Postcards from Ix

April 9, 2014by karencomics Leave a comment

Tonight, something a bit different! A galactic tourist sent these by an unknown means to my camera. I thought I was taking night shots of the lights on Roberts Bank […]

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Photography, Storytelling

Let the Inking Begin!

April 8, 2014by karencomics 15 Comments

Like just about anything in life, there are different stages to drawing comics. The hard part comes up front, starting with hammering out the story and stretching and compressing it […]

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Comics

Spam-the-Cat Gets His Stripes

April 7, 2014by karencomics 4 Comments

Spam the Cat Maquette went for his first outing yesterday, and charmed his adoring public — but without his stripes. Tonight I finished his paint job so that he is […]

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Character Design, Polymer Clay maquettes, Sculpture

A Day at a Comic Conference

April 6, 2014by karencomics 2 Comments

Visual artists and writers spend a lot of solitary time immersed in creating their art. The need to connect with other artists and the public, face -to-face, has led to all […]

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Comics, comics conventions, It's an artist's life

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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  • Evolution of a Design — Celtic Seahorses

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