Karen Gillmore Art

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Tag Archives: coloured pencil

Sketchbook Roundup 4: Goofy Critters

April 25, 2020by karencomics Leave a comment

It’s day four of my sketchbook animal series! Sometimes drawing accurate depictions of creatures gets to be too much for me (I am a cartoonist, after all) and I just […]

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animal art, art challenge, Comics, Illustration

Sketchbook Roundup 2: Hoofing It

April 23, 2020by karencomics Leave a comment

Today is the second in a series of peeks into my sketchbooks. In honour of Earth Week, I’m posting some of my animal drawings that I’ve done over the last […]

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animal art, art challenge, Drawing-a-Day, Illustration

Sketchbook Roundup 1: Animal Kingdom

April 22, 2020by karencomics Leave a comment

It’s Earth Day, and I’m stuck inside, as so many of us are these days… Hi! It’s been a while. I’m weathering this all OK, since as an artist, I’m […]

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animal art, art challenge, Illustration, zooly

Meeting the Art Challenge

June 30, 2018by karencomics 4 Comments

The word “challenge” conjures up a lot of different connotations: a dare, a provocation, an opposition, a task, a problem. An Art Challenge contains many of these; it’s a kind […]

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art challenge, Drawing-a-Day, Inktober, It's an artist's life, zooly

The April Fool’s Easter Bundragon

April 1, 2018by karencomics 3 Comments

How often do April Fool’s Day and Easter fall on the same day? I couldn’t resist the urge to do this funny li’l guy, once he’d popped into my head! […]

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coloured pencils, gouache, Illustration

Drawing a Crow in Coloured Pencil

March 13, 2018by karencomics 10 Comments

Seems like crows are everywhere these days. For us urban dwellers, they’re one of the few representatives of wildlife we see on a regular basis. Social media is full of […]

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coloured pencils, Technique of the Week, tutorials, Uncategorized

Zooly Comics and Drawings

July 8, 2017by karencomics 3 Comments

The Zooly Art Challenge has got me back in the studio, though my eyesight challenges are still, um, challenging. This week I’ll be getting my other new eye, and hopefully […]

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art challenge, Drawing-a-Day, zooly

A Spooky Christmas!

December 21, 2016by karencomics 4 Comments

Christmas-and-spooks seems to be A Thing, and it’s not new — of course Dickens’ great classic, A Christmas Carol comes quickly to mind, and modern tales such as “Nightmare Before Christmas” […]

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Book Covers, Cats, Technique of the Week, tutorials

An Artist’s Holiday

October 25, 2016by karencomics 2 Comments

What do artists do for a holiday? They take an art workshop! I took a couple of days off of comics and making my inktober book to do just that. […]

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Inspiration, It's an artist's life

Dinosaur Sibling Rivalries

October 10, 2016by karencomics Leave a comment

Dinosaurs! My first ever illustrated book was created when I was in Grade 3 (I think). I loved dinosaurs. I checked out every book on dinosaurs in the school library […]

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art challenge, Drawing-a-Day, Inktober

Galapagos Mistaken Identity

October 9, 2016by karencomics Leave a comment

One place I’ve always wanted to go is to the Galapagos. Since reading articles in the National Geographic as a child, I’ve longed to see the islands that inspired Mr. […]

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art challenge, Drawing-a-Day, Inktober

Ask an Elephant!

October 7, 2016by karencomics Leave a comment

I’ve been having an ongoing conversation with a lot of my friends lately over the lost art of map-reading. Seems all this GPS usage is eroding the ability to read […]

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art challenge, Drawing-a-Day, Inktober, Uncategorized

They call it… Camouflage

October 6, 2016by karencomics 2 Comments

Why do animals hide? Lots of reasons! When I saw today’s Inktober prompt word,”hidden”, of course I thought of all the ways animals have as built-in blending strategies. Colours and […]

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art challenge, Drawing-a-Day, Inktober

False Felines

October 5, 2016by karencomics 2 Comments

Inktober, Day 5. I’ve been digitally filing illustrations and doing last little tweaks to the book art all day in Photoshop. Getting to do a wee quick drawing was a […]

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art challenge, Drawing-a-Day, Inktober

Meanwhile, in Australia…

October 3, 2016by karencomics Leave a comment

Day 3: Today’s Inktober word was “collect”. I suppose I could have just drawn my animal model collection, but it was too obvious. Also, too many animals! So… what’s the […]

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art challenge, Inktober, Uncategorized

Colored Pencil Magazine Article!

May 31, 2016by karencomics 2 Comments

Hey, art-process fans! Want to know how I made this comic? I just got word that the article I submitted to Colored Pencil Magazine is now in the June issue, […]

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coloured pencils, Comics, Illustration, Technique

Painting Mermaids and Merboys

April 10, 2016by karencomics 5 Comments

Why are mermaids always maids? What do you call a boy, er, mermaid? Merboy? Merlad? A grown male mer-person is a merman, or sometimes, a triton (though they usually have […]

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Comics, Technique, Technique of the Week, Watercolour

Art Zombie!

March 8, 2016by karencomics 12 Comments

It’s been an intense month-and-a-bit here in my studio. When last I wrote, I had embarked on a daily challenge to make art every day. Now, it’s not an unusual […]

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art challenge, Comics, It's an artist's life

Watercolour Pencils = Fun

January 16, 2016by karencomics 6 Comments

I spent a lovely day today teaching an all-day workshop in Watercolour Pencils to thirteen keen and creative folks. The way to tell when people are really “in the zone” in […]

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Watercolour pencils (aquarelles)

Kickstarter Calendar

January 14, 2016by karencomics Leave a comment

UPDATE: The Kickstarter was fully funded a mere hour before the deadline — hooray! If you want to follow the author on Facebook, here’s her author page. I’m putting in one […]

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Book Covers

Mermaid Music

February 9, 2015by karencomics 2 Comments

Mermaid Music. From the latest page in my new online comic (click the link above) — this one’s moving us into the central mystery of the story. It’s pen and […]

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Comics

Wolf-Girl

December 3, 2014by karencomics 8 Comments

Here’s the painting I’m showing for the annual members’ show at my studio/gallery cooperative, Xchanges. I don’t want to part with it, so I’ve listed it as NFS (not for sale), […]

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Book Covers, coloured pencils, Illustration

Working Behind the Scenes

October 4, 2014by karencomics 2 Comments

You know how sometimes you go to a website and get a page that says “under construction”? I’m doing a bit of renovating to this blog right now, working on […]

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Book Covers

Tabby Tallulah in Colour

August 3, 2014by karencomics 12 Comments

Summer Art Challenge Day 42 — making art every day Yesterday I posted Tabby in ink; today she has dressed up in colour. She’s one of those rare female orange tabbies, […]

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Character Design, Drawing-a-Day

Life Drawing Meditation

July 14, 2014by karencomics Leave a comment

Summer Art Challenge Day 22 — making art every day! A lot of the work I do involves drawing from my imagination. I say imagination, but it also involves memory and […]

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Drawing-a-Day, Figure Drawing

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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