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Category Archives: It’s an artist’s life

Canada Day Muse

July 1, 2014by karencomics 1 Comment

Summer Drawing Challenge Day 9 Happy Canada Day! Tonight Iris, Mak, Ron, and I watched the fireworks from the studio window! Our house is on a hillside, with a straight […]

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Drawing-a-Day, It's an artist's life

News Flash!

June 22, 2014by karencomics 9 Comments

EXTRA, EXTRA, READ ALL ABOUT IT!!! I just got a two page spread (wasn’t expecting that!) in our neighbourhood community newspaper.  (UPDATE:) I’ve made a page of the e-interview by Shylene […]

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It's an artist's life

A-Kon — there and back again

June 15, 2014by karencomics 4 Comments

Home at last from a wonder-filled trip to A-Kon, an amazing anime-based convention in Dallas. I’m going to do a bit of a reversal of my social media here; I […]

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comics conventions, It's an artist's life, Spam & the Sasquatch

A-Kon, Actually!

June 7, 2014by karencomics Leave a comment

I’m at A-Kon, a big anime (and lots more!) convention in Dallas, Texas, and having a fabulous time! But alas, the internet is limited here at the hotel, and I […]

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comics conventions, It's an artist's life

VANCAF Bliss

May 25, 2014by karencomics 1 Comment

I just got back from VANCAF, the Vancouver Comic Arts Festival. It’s rather like TCAF (see my earlier posts for descriptions of that), but on a more intimate scale. The […]

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Comics, comics conventions, It's an artist's life

So I’m an Optimist…

May 15, 2014by karencomics 4 Comments

Yesterday I wrote that I’d be continuing the artist profiles today — I didn’t allow for the jet lag! I’m a little too foggy to entrust myself with a post […]

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It's an artist's life

Featured TCAF creator: Joan Steacy

May 13, 2014by karencomics Leave a comment

This is the second of my posts about artists who were at TCAF this past weekend. Today I’m featuring my friend and mentor, Joan Steacy! Follow the links in the […]

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Comics, It's an artist's life

Featured TCAF creator: Sam Logan (and a trip to the ROM)

May 12, 2014by karencomics Leave a comment

As promised, today begins a series of short features about some of the creators that were at TCAF this past weekend. My methodology for choosing them was highly personal; let’s […]

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Comics, It's an artist's life, Uncategorized

TCAF Euphoria

May 11, 2014by karencomics Leave a comment

It’s over already! I’m tired but happy, having made some new friends, gotten to know others better, and stuffed my greedy little wheelie-luggage full of graphic novels. In fact, I’m […]

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Comics, comics conventions, It's an artist's life

TCAF Delirium

May 10, 2014by karencomics 6 Comments

TCAF has started in earnest! I packed my little wheelie bag lightly this morning, and pulled it along my morning kilometre walk like a pulltoy — a hungry pulltoy! It […]

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Comics, comics conventions, It's an artist's life

Comics and the Big City!

May 9, 2014by karencomics 4 Comments

Well, I’m here, revelling in my urban vacation, rubbing elbows with other folks who create and are passionate about comics! Yesterday I was up much too early, and on a […]

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Comics, comics conventions, It's an artist's life

Inspiration Recharging Break

April 25, 2014by karencomics Leave a comment

Today I made no art. None at all. No drawing, no inking, no painting, no writing, no music. Instead I took a day to “inspire”, in the sense of the […]

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It's an artist's life

A Theory of Muses

April 18, 2014by karencomics 6 Comments

I’ve been making art pretty much every day, intensively, since the beginning of the year. Iris the Art Muse (see her page in the menu bar if you haven’t met […]

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It's an artist's life

A Day at a Comic Conference

April 6, 2014by karencomics 2 Comments

Visual artists and writers spend a lot of solitary time immersed in creating their art. The need to connect with other artists and the public, face -to-face, has led to all […]

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Comics, comics conventions, It's an artist's life

Life and Life Drawing

April 1, 2014by karencomics 12 Comments

I’m back. It’s as if I’ve been to another country, a strange one, and yet I didn’t go more than a mile from my house the whole time.  I’d been […]

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Figure Drawing, It's an artist's life

Who is Iris?

March 16, 2014by karencomics 10 Comments

Iris and I are seriously thinking about putting together a little min-comic for the comic conventions coming up. We decided she needed an introduction. I’ve known Iris ever since I […]

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Illustration, Ink, It's an artist's life

The Muse Never Sleeps

March 2, 2014by karencomics 24 Comments

Drawing-a-Day number 19 Iris the Art Muse is back. Well, really she never left. Now she’s thinking she might want her own zine. What do you think?

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Comics, Drawing-a-Day, Ink, It's an artist's life

The Muse is not Amused

February 12, 2014by karencomics 7 Comments

Uh-oh — now I’ve done it. Forgot to check in with the muse. Meet Iris, whose name means Rainbow. She’s my art muse. I have a bunch of muses, and […]

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Brush and Ink, Ink, It's an artist's life

To Draw or to Blog — That is the Question!

February 11, 2014by karencomics 11 Comments

This blog is like a shiny new toy that just keeps getting better. Today marks one solid, 31-day month of blogging every day for me (I was going to start […]

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It's an artist's life, Watercolour

Blogging and the Virtual Studio Tour

February 9, 2014by karencomics 14 Comments

Today’s article on WordPress’s The Daily Post, “Who Is Your Reader”, got me thinking. Who am I writing for? Well, if you’re reading this, you, of course! You’re visiting my […]

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It's an artist's life, Studio

A Typical Morning at our House

January 21, 2014by karencomics 12 Comments

This is the first comic I made, in the evening class that led me to commit to a whole year’s full time study. I made thumbnail drawings, and corrected thumbnail […]

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Comics, ink wash, It's an artist's life, Pen and Ink

Blast from the Past — archaeology in the studio

January 19, 2014by karencomics 6 Comments

I’ve been sorting the contents of boxes that have been in storage for quite a while, in an attempt to get rid of the storage locker that somehow snuck into […]

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It's an artist's life, oil pastels, Studio
It's not really that bad, Ray!

Comics Jam Medicine

January 15, 2014by karencomics 3 Comments

This evening I was very blue. Seeing too many disturbing posts on Facebook put me over the top, and I was paralyzed with blueness. Maybe even shading into ultraviolet. I […]

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Comics, It's an artist's life

20 Ways to Woo Your Muse; or, How to Procrastinate Productively

January 13, 2014by karencomics 3 Comments

I often find it hard to get going again after my routine is disrupted by all the glitter and parties of the holiday season. Here are some of the strategies […]

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It's an artist's life, Studio
the how-to page said you get extra internet points if your first picture is a cat!

New Year, New Career, New Blog

January 12, 2014by karencomics 2 Comments

So. Somewhat to my surprise, I’ve been on this planet for very nearly 60 years. I’ve been an artist for most of that time, sometimes making a living that way, […]

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Comics, Illustration, It's an artist's life

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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