Karen Gillmore Art

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Monthly Archives: March 2014

Iris the Art Muse has Her Own Page!

March 27, 2014by karencomics Leave a comment

I’ve added a page in the menu bar at the top of the screen just for Iris! Here’s the coloured version of the Iris-does-collage drawing that I never got around […]

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Uncategorized

Tam Lin — an Ancient Scottish Ballad

March 26, 2014by karencomics 4 Comments

It’s time for another comic! This is the Ballad of Tam Lin, a traditional story in song from way back in the mists of time somewhere. It is one of […]

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Comics

Telling Tales

March 25, 2014by karencomics 6 Comments

This is the cover to my first comic book, a collection of several short stories (a few of which can be found in the sidebar to your left!). I hadn’t […]

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Comics

Sheriff Bill in Colour

March 24, 2014by karencomics 8 Comments

Just a small post today — a while back I drew a little character study of Sheriff Bill Platypus, suggested by my comic jam buddies when I asked what to […]

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Character Design, coloured pencils, Ink, Watercolour pencils (aquarelles)

Muse Muscles

March 23, 2014by karencomics 10 Comments

I did say that, didn’t I? I’ve been working very hard lately; between the blog and the deadline for my graphic novel, I’ve become somewhat of a mysterious hermit woman, […]

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Uncategorized

Technique of the Week — Plein-Air Tips

March 22, 2014by karencomics 4 Comments

Plein- Air: just a fancy way of saying you are going outside to paint! With spring upon us in the northern hemisphere (more or less), it’s time to start thinking […]

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Technique of the Week

Happy (late) Vernal Equinox!

March 21, 2014by karencomics 6 Comments

Spring has sprung, or at least it has in our neck of the woods — although it was cold enough to make the rooftops white with frost last night, today […]

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Celtic

Coloured Gesso City

March 20, 2014by karencomics 2 Comments

Today I feel like posting something completely different, from my archives. I was scrolling through folders and ran across these little paintings, which I did as a bit of play […]

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Acrylics

Reverse Illustration

March 19, 2014by karencomics 26 Comments

For many years, the drawings and paintings I did were like illustrations for stories — but the stories didn’t exist yet. Many people asked me if I illustrated children’s books, […]

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Illustration, Storytelling

Shapechanger Goes Camping

March 18, 2014by karencomics 8 Comments

The process of making a comic, step-by-step Yesterday I posted a one-page comic that I did as part of a school program, at the beginning of the year, and I […]

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Comics, Digital colouring, Technique

Shapechanger, an Origin Story

March 17, 2014by karencomics 8 Comments

In 2012, I started a two-semester course on making comics and graphic novels at Camosun College. The first day we were asked to draw an avatar for ourselves, with the […]

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Comics, Uncategorized

Who is Iris?

March 16, 2014by karencomics 10 Comments

Iris and I are seriously thinking about putting together a little min-comic for the comic conventions coming up. We decided she needed an introduction. I’ve known Iris ever since I […]

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Illustration, Ink, It's an artist's life

Technique-of-the-Week — Watercolour Monotypes

March 15, 2014by karencomics 15 Comments

Yesterday I posted a couple of images of watercolour monotypes. Today I’m going to talk about how to make them. A monotype is a type of monoprint, which is a […]

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Printmaking, Technique, Technique of the Week, Uncategorized, Watercolour

Painting or Print? Both!

March 14, 2014by karencomics 4 Comments

A print is usually thought of as a cheap reproduction of an existing work of art, something you can make lots and lots of, perhaps limiting the edition to make […]

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Printmaking, Watercolour

The End of the Challenge

March 13, 2014by karencomics 6 Comments

It’s the last day of my Drawing-a-Day Challenge! I said I would draw something (and post it) every day for 30 days. The theory was that it would kick-start my […]

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Drawing-a-Day

Quick-Draw! Sheriff Bill Platypus

March 12, 2014by karencomics 3 Comments

Drawing-a-Day number 29 (one more to go!) I’d been drawing the graphic novel all day, and needed a change of pace. Tonight was the weekly gathering of several fellow comics […]

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Drawing-a-Day, Pen and Ink

Intrepid Explorers

March 11, 2014by karencomics 6 Comments

Drawing-a-Day number 28 Meet Miss Ophelia Bluefeather and Mister Cecil Ravensfield, the latest in my characters-from-doodles series. They are a famous pair of scientist-adventurers, known for their daring exploits on […]

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Drawing-a-Day, Ink, Watercolour

Procrastination and the Muse

March 10, 2014by karencomics 6 Comments

Drawing-a-Day 27 Just in case you’ve been wondering about the back side of Iris the Art Muse’s sash:

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Comics, Drawing-a-Day, Ink

Still Life With Muse

March 9, 2014by karencomics Leave a comment

Drawing-a-Day 26 Iris is being cooperative. Or maybe she can’t believe I could be so weird.

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Comics, Drawing-a-Day

Technique-of-the-Week — Through the Eye of a Flower

March 9, 2014by karencomics 8 Comments

Last week I did a step-by-step coloured pencil demo of a flower, in response to a question from a follower. The second part of her question, however, was a little […]

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Design, Photography, Technique, Technique of the Week

There will be a short delay…

March 8, 2014by karencomics 4 Comments

Today was supposed to be my Technique-of-the-Week post, but due to circumstances beyond my control that rendered my house temporarily uninhabitable for the day I wasn’t able to finish my post.  The […]

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Photography

Dancing Muse

March 8, 2014by karencomics 4 Comments

Drawing-a-Day 25 Iris the Art Muse has been working very hard of late. So tonight I invited her to come along to a contra dance. I play flutes and pennywhistle […]

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Comics, Drawing-a-Day

White Wolf Woes

March 7, 2014by karencomics 10 Comments

Drawing-a-Day 24 You know how some days, no matter what you do, you just can’t do your best? That’s how I’m feeling today. This should have been an easy little […]

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Drawing-a-Day, Ink, Watercolour

A Golden (Retriever) Opportunity

March 6, 2014by karencomics 12 Comments

Drawing-a-Day 23 I haven’t had a dog friend of my own for many years (my cat Mak likes being an only child) but every now and then I encounter one […]

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coloured pencils, Drawing-a-Day

Miss Penelope Chi-Wawa

March 5, 2014by karencomics 2 Comments

Drawing-a-Day 22: Meet Miss Penelope, a lady of impeccable breeding and good taste. She may look demure and delicate, but she has nerves of steel when in a pinch. She’s […]

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Character Design, Drawing-a-Day, Watercolour

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The Quadra Cats, a webcomic

The cover of Takeout Planet, the first book in the Quadra Cats series

When the neighbourhood cats meet a takeout-obsessed Alien Cat, they become impromptu ambassadors for Earth! Updates Mondays and Thursdays.

Mermaid Music, a webcomic!

Mermaid Music, Book One cover

Mermaid music is the story of a girl who accidentally runs away to sea, and finds herself in deep water indeed! Click the image to read the webcomic from the beginning.

All text and images © Karen Gillmore 2014 -2017

...except as otherwise noted. If you share, please link back to this blog — you'll feel a warm glow right in your karma!

Celtic Art

Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink, watercolour, coloured pencil)
Wolf and the Stones (pen & ink)
Wolf and the Stones (pen & ink)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink, watercolour, coloured pencil)
Eostre (pen & ink)
Eostre (pen & ink)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink, watercolour)
Celtic Green Man (pen & ink)
Celtic Green Man (pen & ink)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, embellished version)
Celtic Dragon (pen & ink, outline version)
Celtic Dragon (pen & ink, outline version)
Elemental Steed: Air (acrylic)
Elemental Steed: Air (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Water (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Fire (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Steed: Earth (acrylic)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Water (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Fire (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Air (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Elemental Manifestations: Earth (pen & ink, watercolour, collage)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (linocut on banana paper)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen and ink)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)
Celtic Seahorses (pen & ink, watercolour, coloured pencil)

Coloured Pencil

"Two Lips" — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
“Two Lips” — from a photo I snapped of a bunch of tulips someone had given me. As the petals started to fall away, they got more and more interesting. This one took quite a long time, lots of burnishing.
"White Rose" — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
“White Rose” — I took a bunch of white silk roses into a class I was teaching one day, and we all had a good time trying to make them look natural, adding backgrounds and suggestions of colour.
"Sheltered" — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
“Sheltered” — a demonstration on doing an underpainting in dark grey pencil to establish the values turned into this.
"Broken Seashell" — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
“Broken Seashell” — I like to pick up broken seashells, because their curves are challenging and fun to draw. For this one, I used a technique I often use for figure drawing — woking on toned paper and just picking out the deepest shadow and the highlights with white and black pencils.
"Falling Apples" — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
“Falling Apples” — When I teach a coloured pencil workshop, I often go buy a bag of apples and hand one out to everyone. Apples are excellent subjects for learning how to build up colour from light to dark. After my demo, he whole class goes back to their tables and becomes very quiet for a while — silence is the sound of creativity! One class I actually had time to draw my apple several times on the same page.
"El Morro" — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
“El Morro” — the famous landmark fort at the mouth of Havana harbour. I got really caught up in the rocks on this one.
"Pink Rose" — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
“Pink Rose” — One of the most burnished coloured pencil paintings I have ever produced. This little thing is the size of a greeting card, and it took me many hours.
"Bear Hangout" — from a photo I took in Seattle's Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I'd gotten so close to the bears! Usually I would just smile and look mysterious.
“Bear Hangout” — from a photo I took in Seattle’s Woodland Park Zoo. There were no visible fences, and everyone wanted to know how I’d gotten so close to the bears! Usually I would just smile and look mysterious.
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Woman in Blue — indigo and white Prismacolor pencils on toned paper
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
Relaxing Woman — burnt sienna and white coloured pencils on toned paper; a fifteen minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
The Blues — Indigo and white coloured pencils on toned paper _ ten minute pose
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I've drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
Man Forming a Triangle — coloured pencils on toned paper. Going through my sketches, I was amused to see how many similar poses I’ve drawn over the years — there are only so many ways the human body can fold up, after all. I thought this drawing made an interesting comparison with the previous one.
sm flower demo 9
"Golden Retriever" — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.
“Golden Retriever” — coloured pencil. I got the detail of the brush in the background by indenting the paper through a piece of tracing paper with a pencil. The tracing paper protected the working paper from the pencil, and I was able to lightly colour over the indented lines with my coloured pencils, building up layers of mixed colours. I eventually decided the white lines this left were too stark, and went in with very sharp pencils in different colours to tone them down.

Watercolours

"Mount Baker Dreams" — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
“Mount Baker Dreams” — The ferry from Sidney BC to Anacortes , Washington puts in at one of the islands in between. This is what I saw from the dock.
"Sunshine" — funny how cats always find the warm spot in the house!
“Sunshine” — funny how cats always find the warm spot in the house!
"Bones of the Earth" — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
“Bones of the Earth” — a mountain in the Montana Mission Range that has an oddly shaped top above the treeline. It is not a volcano, but I suspect there is a hollow at the top with a lake. However, I did not climb up there to see.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
Wickaninnish Wind — This tree stands by the parking lot at Wickaninnish Beach , in Pacific Rim National Park.
"One Perfect Rose" — an anniversary card I made for my husband some years ago.
“One Perfect Rose” — an anniversary card I made for my husband some years ago.
"Willow Banks" — part of a large wetland park at the base of Montana's Mission Mountains that I visited once.
“Willow Banks” — part of a large wetland park at the base of Montana’s Mission Mountains that I visited once.
"Rainbow Pebbles" — many of the techniques described here are used in this painting
“Rainbow Pebbles” — many of the techniques described here are used in this painting
"Winter Tree" — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
“Winter Tree” — a Christmas card I did for a friend; the white was all masked off with masking fluid, after which I could paint freely, knowing all that lovely snow would be preserved in pristine white paper.
"Storm Building" — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
“Storm Building” — I used a paper towel to lift colour out of a solid sky wash for the clouds, then dripped in a bit of grey, then more water for the backwashes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
pebble sampler — I make samplers of many of the techniques during class, using pebble shapes.
Wildly blooming
Wildly blooming
"Haunted River" — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
“Haunted River” — painted over a saran-wrap texture in multiple glazes; an example of mixing paint on the paper.
"Night Lights" — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
“Night Lights” — the background nebula-like blooms of sky colour are salt; the individual stars are dots of white ink.
"Long Beach Sketch" — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
“Long Beach Sketch” — the backwashes created by dripping water into a wet wash created the clouds and the misty effects in the rocks on the right.
"Edge of the Woods" — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
“Edge of the Woods” — I started with very light washes to build up the background and lighter tones of the foreground; the dark trees went in last.
Cuban Tree
Cuban Tree
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
The UFOs are coming! Or maybe they are flying hats. Suggested by one of the students, I thought it was a great idea. This demo used salt and gouache to make stars and the explosions (or maybe they are fireworks). The city is just simple brushstrokes with a flat brush.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to blend a nice sunset wash, and to show how to make very quick trees with brush scribbles.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn't sure what the landscape was going to be, it sort of evolved as I went along.
This demo was to show lifting paint out of a blended wash (and add some more for shadows) to make clouds, and how to make aerial perspective by making distant things lighter and bluer. I wasn’t sure what the landscape was going to be, it sort of evolved as I went along.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
Demo to show masking (I masked off the blue areas), and how to draw people in about ten seconds! This is kind of a bizarre picture because the blue areas look like holes in the sky, but I kind of like that effect.
"The Sky's the Limit" — a tiny painting, 4x6 inches, in which I demonstrated lifting wet paint to reveal the light.
“The Sky’s the Limit” — a tiny painting, 4×6 inches, in which I demonstrated lifting wet paint to reveal the light.
"New Horizons" — watercolour, 4x6 inches
“New Horizons” — watercolour, 4×6 inches

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Lots of folks liked these posts!

  • Spam the Cat Becomes a Character Maquette (Part 2)
  • Technique-of-the-Week — Watercolour Monotypes
  • Technique of the Week — Collage, beyond the Magazine
  • A Comic in Process: from Thumbnails to Finished
  • Technique-of-the-Week — Combining Pen & Ink and Watercolour
  • Technique of the Week — Watercolour Pencils
  • Tam Lin — an Ancient Scottish Ballad
  • Nature and Sea Life
  • Paper for Comics
  • Evolution of a Design — Celtic Seahorses

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